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Virginie Ittah

Born in 1984 in Paris where she lives and works.

Virginie Ittah (1984) is a French artist living and working in Paris. Her multidisciplinary practice – encompassing painting, sculpture, sound, and olfaction – follows a transversal approach that connects different disciplines, geographic contexts, and temporalities.

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Combining ancestral know-how with contemporary technologies, she creates her pigments from stones, soils, and plants collected during her residencies and exhibitions. By returning to age-old gestures, she asserts a deep ecological commitment while embracing technological innovations such as 3D modelling and photogrammetry. Her work thus unfolds in a constant dialogue between the tangible and the immaterial. Abstraction becomes a language for revealing the invisible: emotions, elemental forces, vital energies, and the networks of interdependence that shape the world.

Her landscapes and figures, often suspended between appearance and disappearance, open spaces of resonance where the viewer perceives more than they simply look, projecting their own reality into them. The figures she creates – emerging from a dialogue between ancient statuary, live models, and multiple mythologies – unfold within hybrid landscapes where time and space overlap, giving rise to singular, immersive worlds. Through this hybridisation, Virginie Ittah transforms the body into landscape and invites us to rethink our relationship to the living, opening pathways toward more symbiotic forms of cohabitation. Her work also questions power structures, systemic violence, and the persistence of monstrous figures in contemporary society. In counterpoint, she reveals forms of vitality, sorority, and resilience, creating spaces where intimate narratives and collective imaginaries intertwine. Between memory and innovation, archaic gestures and advanced technologies, Virginie Ittah shapes immersive environments that challenge our ways of inhabiting the world and forming sensitive connections with the living.

Virginie Ittah was part of the duo Ittah Yoda from 2016 to 2024. The duo joined Galerie Poggi in January 2022, which dedicated its first solo exhibition to their work in spring 2023, alongside several recent solo and group exhibitions at the Musée d’Art Contemporain de Lyon (FR), Kunstverein Göttingen (DE), the Bally Foundation in Lugano (CH), and the Centre International d’Art et du Paysage de Vassivière (FR). In recent years, through her collaborative practice as a duo, Virginie Ittah has taken part in numerous exhibitions, notably at Collection Lambert in Avignon (FR), the Musée des Beaux-Arts d’Angers (FR), Art Basel Paris (FR), ROH Projects in Jakarta (ID), Podium Gallery in Hong Kong (HK), Palais Augmenté at the Grand Palais Éphémère in Paris (FR), the Nice Biennale at Le 109 (FR), Rencontres d’Arles (FR), Poush Manifesto in Paris (FR), Sprout Curation in Tokyo (JP), the Cité Internationale des Arts in Paris (FR), Frieze No.9 Cork Street in London (UK), ARCO Madrid (ES), the Huiden Club in Rotterdam (NL), among others.

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Gallery Contact

Asta Keiller
a.keiller@galeriepoggi.com

Works

News & Press

Exhibitions at the Gallery

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Dream Machine

Group Show

September 4 - 20, 2025

The Last Museum

Group Show

May 16 - August 2, 2025

Sophie Ristelhueber, What The Fuck !

Solo Show

Novembre 5, 2024 - February 1, 2025

The First Stone

Group Show

October 13 - December 2, 2023

Ittah Yoda, At the Edge of Dreams

Solo Show

April 27th - May 31st, 2023

Ecce Homo

Group Show

02 Jul. – 13 Aug. 2022

Paul Mignard, Nopal

Solo Show

6 Nov. - 23 Dec. 2021

Fairs

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FRIEZE LONDON 2025

Group Show

October 15 – 19, 2025

ARCO Madrid 2025

Group Show

March 5 – 9, 2025

ART PARIS 2024

Group Show

April 4 - 7, 2024

PARIS + PAR ART BASEL 2023

Group Show

Oct. 20 – 22, 2023

THE ARMORY SHOW 2023

Group Show

September 8 – 10, 2023

PARIS + PAR ART BASEL 2022

Group Show

20 – 23 Oct. 2022

THE ARMORY SHOW 2022

Group Show

8 – 11 Sept. 2022

FRIEZE No.9 CORK STREET 2022

Group Show

03 – 23 May 2022

ARCO Madrid 2022

Group Show

23 – 27 Feb. 2022